“Fields of Immersion”‭ ‬encompasses a range of Yun’s works that are bound together by the theme of revolution—cosmic revolution and the revolution of life in the scale of the human mind‭. ‬With a profound and complex understanding of the balance between the obscure and the graspable perceptions of invisible forces‭, ‬Yun embraces the universe and offers the audience tranquillity in chaos‭; ‬stillness in movement‭; ‬and immensity in visual forms in his final solo show in London after 6‭ ‬years of work here‭.‬

In his artwork‭, ‬Yun explores the connection between the theoretical sciences‭, ‬such as string theory and quantum mechanics‭, ‬and Eastern philosophies‭. ‬By incorporating rotating magnets‭, ‬motors‭, ‬and action sensors in his‭ ‬Chaos‭, ‬Cosmos and Circulation‭ ‬Series‭; ‬structures reminscient of topological forms in his‭ ‬Energy‭ ‬Series‭,  ‬Yun opens a dialogue between physical science and aesthetics‭, ‬bridging these seemingly contradicting ideas through artistic expression‭. ‬The full circle motif he employs is more than a visual representation of the cyclic nature of creation and destruction—the Yin and Yang in Taoism and Buddhism‭, ‬but a conscious contemplation of spiritual and physical laws from within and without the self and the cosmos‭.‬