Patrick Hughes is best known for the creation of Reverspectives, which have a have a recurrent subject matter with high art historical relevance. His ‘sculptured paintings’,  combine a painted surface onto a three-dimensional protruding structure. They deploy a quizzical strategy in which the furthest point of a painting, in reality is the nearest point to the viewer. This exhibition seeks to celebrate, and provide another ‘reading’ of the enigmatic, upside-down, inside-out universe of Hughes’ Reverspectives. This exhibition aims to provide just a few readings of the many possible interpretations of the infinite combination of opposites at play that are contained and surfaced in Hughes’ Reverspectives.