37th Interim Exhibition: Two Not Together

  • Artist: Aisha Abid Hussain
  • 27 August–25 September, 2014
  • PV: 26 August 2014, 6–9pm

 

Hanmi Gallery is very proud to present “Two Not Together,” a series of work by Pakistani artist Aisha Abid Hussain. Through her works, Hussain develops the themes of gender, class and status whilst also exploring a repertoire of cultural specific symbolisms.

 

‘One may view Aisha Abid Hussain’s recent work as a cabinet with many drawers, to be slid open, one by one, exposing the carefully assembled private chronicles.

 

The coming together of two individuals in holy or unholy bonds of marriage is a rapidly altering episode in human relationships. In ‘Two Not Together’ the artist interrogates our assumptions, our clichés and yes, our romance with the institution of marriage. She contrives a staged moment, replete with the finery and the trimmings of attire and dreams. The farcical underpinnings of the charade do not escape scrutiny. Her delight in baroque role-playing only emphasizes the patent ridiculousness of each person’s expectations. Yet there is a tinge of sadness here. The inevitability of decay, both physical and emotional is at the core of Aisha Abid Hussain’s image-making.

 

The relief prints in the same series constitute another aperture in the cabinet of domestic bliss. Utopia has imploded unto itself, leaving only traces of the fantasy and the relationship it nurtured. These lace-like vestiges from another time are almost poetic in their deterioration, stubbornly clinging to life in a last ditch show of strength.

 

‘Love is a wasted vigil’ series on the other hand, are culled from a trove of crisscrossing visual memoirs. The tactile gentleness of the prints is absent. This drawer of the cabinet is steeped in carnage, conflict and desolation. Against such a backdrop the passivity of the matrimonial couple proclaims the strength of humankind and it’s ability to delude itself.

 

Each layer, each strata, discloses the complexity of men and women, their inter woven power play, their betrayals, unmasking’s and tenacity. It is apparent that Aisha Abid Hussain is loathe to be partisan. Eventually, tenderness casts its delicate shadow over her determined cross-examination and ardent inquiry.’

 

- Salima Hashmi

 

 

Aisha Abid Hussain, born in Pakistan received her BFA degree from the National College of Arts, Lahore, Pakistan in 2008 (Passed with Honours) and MFA from Goldsmiths College, University of London, England in 2012 (Passed with Merit&Distinction in studio practice) Hussain has got a diversed practice, working with variety of mediums from Miniature Painting to Photography and Film. Her work has been exhibited widely in Group and Solo shows internationally. Her Group shows include: Open | Pump House Gallery, London, England 2013 | Bloomberg New Contemporaries | Spike Island, Bristol | Institute of Contemporary Art London, England 2013 | Her Stories | Taubman Museum, Virginia | Queens Museum, Brooklyn, New York, USA 2012-2013 | Drive In | PAMI (Peckham Artist Moving Image) Festival, London, England 2012 | Through other Eyes, Contemporary Art from South Asia | Herbert Art Gallery and Museum, Coventry, England 2009 | Parallel Lines | Bradford Museums Galleries & Heritage, England 2008 | The Human Dichotomy | Aicon Gallery, Palo Alto, USA 2008 | Connect | Anant Art Gallery, New Delhi, India 2008. Her Solo Shows are: Spaces Within | Gandhara Art Space, Karachi, Pakistan 2010 | Miniature Contemporaines du Pakistan | Alexis Renard Gallery, Paris, France 2009 | Preview | Rohtas Gallery, Lahore, Pakistan 2009.

 

She is Currently working as an Assistant Professor on Masters Programme at National College of Arts, Lahore and of Art Design and Education at Beconhouse National University, Lahore, Pakistan.