Caron Geary

Caron Geary’s mask creates the Feral, a problematic figure that openly avoids easy categorization based on race, sexuality, class or gender. To what extent do we rely on preconceived notions, social types and categories? Her work is an on-going exploration of how we position ourselves in relation with the Other. The two Feral Self-Portraits, 2007 showcased in this exhibition are menacing to say the least, it is not only its defiant pose but also its totemic and primitivesque features that question the viewer to a degree of intimidation. Indeed, the troubled nature of her portraits becomes apparent when viewers realize that they don’t really know what they are looking at. The series Monstra Victoriana, 2010, made in collaboration with Helen Watkins, present a more gender recognisable figure whose poses are not only sensual and inviting but also elusive and somehow quirky. In Caron Geary’s figures there is no possible direct recognition because the Feral keeps retreating to its comfort zone— one that presupposes high levels of uncertainty and ambiguity. In British Cunt, 2008, Caron Geary is also concerned with issues of gender markedly with those notions of femininity that are ultimately shaped by the male gaze. She puts into question such standards and stereotypes that create the ideal image of women. As the artist argues, the harsher aesthetics challenge mainstream concepts of beauty and social conformism.

 

Caron Geary received BA in Photography from London college of Communication in 2006.  Recent shows include ‘JAMBODIA’ in Cambodia in 2013 and “FACELESS” in Amsterdam in 2014. Her artworks have been actively exhibited across the world